Durant Hall Communiqué

Architecture has, like other growing phenomena, to go to school before it can wisely be emancipated. It is a distinctly promising sign of future power, for a young people . . . to forget self for the time being in the quiet, assiduous acquisition of knowledge already established by others. The time for fresh personal expression will come later.
--John Galen Howard, 1913

Accelerate: we are here to help architecture make the leap to emancipation. The architect John Galen Howard, who designed and oversaw the construction of what is now called Durant Hall at the beginning of the last century, was a hesitant man. We say: the time for fresh personal expression is now! There is no question that we are already the product of other people's assiduously accumulated knowledges, so many that they become impossible to catalog exhaustively. The accumulation of knowledge is a library, perhaps, but it is also a struggle, a movement, a tactic. Likewise, the acquisition of knowledge does not have to be quiet -- next to the sound system, self is forgotten and the commune emerges. The dance party: a distinctly promising sign of present power.

Future power too. On March 4, UC Berkeley students, workers, and faculty will march in solidarity with those from other UCs, CSUs, community colleges, and K-12 schools across California and the country as a whole. Like this building, reclaimed from the graveyard of financial speculation, we will reclaim the streets of Oakland in conjunction with an international day of action for public education to be free and democratic.

For the last two years, Durant Hall has been little more than a shell, surrounded by piles of rubble and heavy machinery, themselves surrounded by uneven rows of chain-link fencing. No longer is there any trace of the library it once was -- the East Asian Library, now moved across campus to a new building named after an insurance mogul who founded the notorious AIG. Language has been uprooted, pruned, and replanted as well. The Department of East Asian Languages and Cultures went with the library, and in the process lost half its Japanese, Korean, and Chinese classes as well as the faculty that taught them -- over 1,500 curious students will be turned away this year. Subtracted from the flow of campus life, Durant Hall has existed only as a barrier, an inconvenience, a silent witness to the frustration of the thousands of students, workers, and faculty protesters who surrounded the neighboring Wheeler Hall and clashed with police last November.

But apparent emptiness conceals the movement beneath the surface, behind its fenced-off walls: capital flows through its veins. "Capital Projects," the administration of the University of California calls them. As we now know, the UC administration has used not only students' tuition, but also the promise of future tuition increases, to secure the bonds and bond ratings necessary to channel ever increasing resources into construction projects. They will always need more money, and it will always be our money. A general concern that changes the way we see the campus that surrounds us. But if there is one building in particular that exemplifies this process, it is Durant Hall: its renovation was halted in 2008 for lack of funds, and only started up again after the administration sold $1.3 billion in construction bonds last May backed by our fee hike as collateral. Its melancholy fate is to become yet another administration building. Durant Hall will be inhabited by deans and staff of the College of Letters and Science, but it has already been occupied by a bloated administration with private capital on its mind.

Capital, like architecture, is a growing phenomenon, but one that never matures. It pushes outward continuously in all directions, always presupposing an endless, spiraling expansion. New endpoints replace old ones in smooth succession, projecting themselves onto the grid of the future, erasing languages, knowledges, and histories that do not fit easily into the right angles of its blueprints. But we will not let their future bulldoze our present. We have our own bulldozers: dance parties to reclaim dead buildings, marches to reclaim the streets. On March 4, fight back!

ESCALATE-OCCUPY-RECLAIM

Signed,

The College of Debtors in Defiance.