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Julia Vinograd a.k.a. the Bubble Lady passed away on December 6, 2018
Below are a few poems that Julia Vinograd has published with Street Spirit.
Julia Vinograd a.k.a. the Bubble Lady passed away on December 6, 2018
By Lynda Carson - December 7, 2018
American poet Julia Vinograd a.k.a. the Bubble Lady, a longtime contributor to the Street Spirit newspaper sold by the houseless/homeless passed away yesterday at the age of 74. Often Julia could be found on Telegraph Avenue in Berkeley. Years ago she was displaced by a fire at the Berkeley Inn.
Julia Vinegrad got a lot of attention when she blew bubbles during the People’s Park uprising back in 1969, and has been a Berkeley fixture for many years. She will be missed by many.
Below are a few poems that Julia Vinograd has published with Street Spirit.
Lynda Carson is a longtime contributor to Street Spirit.
Anniversary Party at People's Park by Julia Vinograd
Drummers on stage, circles of people whirling, rags and feathers. We're a tribe, we're on the cover of National Geographic where native women carry baskets on their heads, bare breasts swaying. We don't have any baskets, we've got some basket cases and a few girls shrug their shirts off while freckles pour down from the sky. A bottle of red wine goes around a circle of reddening faces, brighter than blood. Broken teeth grin. Beer cans blossom. Enough spills for our thirsty ghosts. Lovers' hands get big and blurry. We're a tribe, we move in mystic circles, like the drunk said when the cop told him to walk a straight line. Damp grass licks our bare feet like a puppy's tongue. Half the people here can't do anything but magic and magic dissolves in the rain. It rained yesterday, it will rain tomorrow but today we're having a party in the hole of a hostile donut. The thing about the park is you can't just go there unless the park comes out to meet you. Today it has. We're a tribe. In spite of a sound system from hell we're using the music to climb ourselves like dancing up a rusty fire escape to steal the fire.
SPARECHANGERS by Julia Vinograd
The crowd shrugs off their eyes like soggy spitballs. A grunge tribe share day-old donuts in the rain, their belts low slung down to the crack in their butts. A wheelchair veteran with ghostfires licking at his wheels. Empty paper cups on mock fishing poles. Their chants aren't words anymore, "spare change" is spoken dandruff and must be brushed away; what would a girl say if a new shirt gets covered with begging dandruff? Not even cruelty. Sometimes I wish it were. The crowd hates the other football team or politicians but they don't hate what doesn't exist. The stolen shopping cart isn't there, even though it's pushed by a skinny scream piled high with junk and topped with a toy pink plastic phone. Lovers leaning into each other in a winter doorway aren't there. A mother aiming her crying child at the crowd isn't there. Sparechangers spend their days being erased like typos. Saying "I am so alive, I'm here, sort of," is hard, mind-breaking work. Goth girls play at being vampires but it's spare changers who cast no reflections, no one wants to see. If a tired guy with a cardboard sign has a small fuzzy puppy, the puppy gets a smile. The crowd feels guilty enough about people they love; there's no guilt left over for anyone else.
John The Baptist On The Street by Julia Vinograd
Skinny, tattered jacket, tangled wild beard, sharp knees on the sidewalk outside a sandwich and salad shop; a John the Baptist woodcut. Someone had given him a plastic container of salad-to-go instead of spare change. He howled, head thrown back, dirty fingers clawing limp cringing lettuce till even the celery whimpered and bled. His rage worked magic on mayonnaise and carrot peelings. They became the torn fur of a small desert animal that didn't get away. He snarled, scattering bones in all directions. John the Baptist turns wherever he is into desert. He preaches to stones, lizards and cactus in their own language. When the cops came on a noise complaint he didn't fight them the way he fought his salad. He didn't answer their questions, only waited. Either they'd go away or take him away. Either way they weren't real to him. Messiahs come and go, like the tide, in and out but the Baptist's still blocking the sidewalk, raging, radiant and waiting.
Street Crazy Playing A Flute by Julia Vinograd
Her mind ran over her face like a train wreck. What was left twitched, at off moments. But she played a wooden flute as if her hands belonged to someone who never worried. Thin shoulders huddled around the music, stuck in a pile of clothes that would rather be in a closet. Might've been young if she'd been someone else. A cold grey evening. People hurried off the street before it didn't rain, nobody stopped to watch her play. She blew elbow-shaped notes and chords stamping like boots for warmth, almost a crowd but no faces, she always had trouble with faces. Inside, people made dinners. Hospital food had been beef stew without the beef and frightened jello. Her flute craved candied roses and catastrophes. She'd passed a restaurant once. Thru the window she'd seen lobsters piled on a tray and bright small sharp instruments either for cracking shells or brain surgery . Her flute poured out soft warm buttersauce into the cold evening till if you were a lobster you'd love to be eaten. She'd been 51/50'd briefly. She hadn't noticed enough to be annoyed except they defined her flute as a hard object and took it away. Now she had it back. What would've been a smile for someone else crawled onto her face. Her flute played Mount Rushmore for a closing flourish, not president's faces (she always had trouble with faces) but a mountain-sized hot fudge sundae with a cherry. Then she put down the flute. When the silence came looking for her she ran away.
For the Death of a Friend by Julia Vinograd
Ben Jr, captain. Dead. Blown up in Iraq. That's all I know. Your father wants a poem. I know him as Ben, not Ben senior. Your being dead hurts more than the war, how can he think about politics? He's thinking about the last time he saw you and what you both said and didn't say and should've said and all gone now, all gone. Or when you decided you were too old for a baby name he gave you or an argument about a friend or a girl or how homecooking was just for kids. But you always knew your Dad would be there for you no matter what you both said. You died alone. You died alone. He blames himself. He loves you. You'd be indignant, you were your own man not just someone's son. But I'm writing this poem for someone's son, and yes, you loved him no matter what you both said.
VALENTINE'S DAY by Julia Vinograd
It's Valentine's day. Do our fighter jets drop lace-trimmed red plush hearts instead of bombs? A litter of love over targets on a map? Hearts that say "darling" and "forever" in a gold-scrolled language the people they fall on can't read. It's Valentine's day. Do machineguns start shooting the very best dark chocolate creams instead of bullets, smearing brown faces black and bringing back memories of poison gas? Anything they haven't seen before must be trying to kill them. It's Valentine's day. Do we send diamond engagement rings in white, silk-lined boxes to everyone who lost a loved one in the killer wave? Tell them all their memories are caught inside and they'll try to eat diamonds, what else do they have to eat? It's Valentine's day. Do the homeless scrawl shaky hearts on their cardboard signs in hopes of kisses tossed in their plastic cups? It's Valentine's day. On every battlefield in the world does spilled blood turn to long-stemmed American Beauty Roses, the petals brushing faces of the wounded so gently? Grown men no longer strong enough to crush a rose in their fists. It's Valentine's day. It changes nothing.
Street Teenagers Blocking the Sidewalk by Julia Vinograd
One of them draws a chalk dragon on the sidewalk with his blue green purple fingers. His leather jacket's creaky as rusted armor and the colors wound his knees. People walk to their jobs avoiding the dragon's teeth. His girl has blonde dreadlocks and her pet white rat climbs in and out of her yellow silk sleeve. Every time its pink eyes peer out she leans down and whispers "boo" and the rat scuttles back in and winds up clinging for dear life to the side of her soft neck. Her smile floats like a wished-on dandelion seed, the next wind can blow it away. Two grinning crouched guys drum on a garbage can, their dirty ankles are slim as statues, while a third guy kisses a wine bottle and sometimes his mouth-harp. He doesn't look at a bluejeaned redhead who is dancing her heavy breasts at everone else. When they get enough spare change they'll make a dollar sign out of pennies. They sit on the sidewalk, a plastic bag of day-old pastries pushed from hip to warm hip. They're blocking the sidewalk, they're making building blocks of light and air and then breathing on them. All fall down. A passing little boy reaches pudgy fingers for the rat's curling tail and his mother drags him fiercely away, scolding in a voice like breaking teacups. The chalk dragon drinks spilt tea. The wine bottle's empty.
Lynda Carson may be reached at tenantsrule [at] yahoo.com
>>>>>>>
>>>>>>>
By Lynda Carson - December 7, 2018
American poet Julia Vinograd a.k.a. the Bubble Lady, a longtime contributor to the Street Spirit newspaper sold by the houseless/homeless passed away yesterday at the age of 74. Often Julia could be found on Telegraph Avenue in Berkeley. Years ago she was displaced by a fire at the Berkeley Inn.
Julia Vinegrad got a lot of attention when she blew bubbles during the People’s Park uprising back in 1969, and has been a Berkeley fixture for many years. She will be missed by many.
Below are a few poems that Julia Vinograd has published with Street Spirit.
Lynda Carson is a longtime contributor to Street Spirit.
Anniversary Party at People's Park by Julia Vinograd
Drummers on stage, circles of people whirling, rags and feathers. We're a tribe, we're on the cover of National Geographic where native women carry baskets on their heads, bare breasts swaying. We don't have any baskets, we've got some basket cases and a few girls shrug their shirts off while freckles pour down from the sky. A bottle of red wine goes around a circle of reddening faces, brighter than blood. Broken teeth grin. Beer cans blossom. Enough spills for our thirsty ghosts. Lovers' hands get big and blurry. We're a tribe, we move in mystic circles, like the drunk said when the cop told him to walk a straight line. Damp grass licks our bare feet like a puppy's tongue. Half the people here can't do anything but magic and magic dissolves in the rain. It rained yesterday, it will rain tomorrow but today we're having a party in the hole of a hostile donut. The thing about the park is you can't just go there unless the park comes out to meet you. Today it has. We're a tribe. In spite of a sound system from hell we're using the music to climb ourselves like dancing up a rusty fire escape to steal the fire.
SPARECHANGERS by Julia Vinograd
The crowd shrugs off their eyes like soggy spitballs. A grunge tribe share day-old donuts in the rain, their belts low slung down to the crack in their butts. A wheelchair veteran with ghostfires licking at his wheels. Empty paper cups on mock fishing poles. Their chants aren't words anymore, "spare change" is spoken dandruff and must be brushed away; what would a girl say if a new shirt gets covered with begging dandruff? Not even cruelty. Sometimes I wish it were. The crowd hates the other football team or politicians but they don't hate what doesn't exist. The stolen shopping cart isn't there, even though it's pushed by a skinny scream piled high with junk and topped with a toy pink plastic phone. Lovers leaning into each other in a winter doorway aren't there. A mother aiming her crying child at the crowd isn't there. Sparechangers spend their days being erased like typos. Saying "I am so alive, I'm here, sort of," is hard, mind-breaking work. Goth girls play at being vampires but it's spare changers who cast no reflections, no one wants to see. If a tired guy with a cardboard sign has a small fuzzy puppy, the puppy gets a smile. The crowd feels guilty enough about people they love; there's no guilt left over for anyone else.
John The Baptist On The Street by Julia Vinograd
Skinny, tattered jacket, tangled wild beard, sharp knees on the sidewalk outside a sandwich and salad shop; a John the Baptist woodcut. Someone had given him a plastic container of salad-to-go instead of spare change. He howled, head thrown back, dirty fingers clawing limp cringing lettuce till even the celery whimpered and bled. His rage worked magic on mayonnaise and carrot peelings. They became the torn fur of a small desert animal that didn't get away. He snarled, scattering bones in all directions. John the Baptist turns wherever he is into desert. He preaches to stones, lizards and cactus in their own language. When the cops came on a noise complaint he didn't fight them the way he fought his salad. He didn't answer their questions, only waited. Either they'd go away or take him away. Either way they weren't real to him. Messiahs come and go, like the tide, in and out but the Baptist's still blocking the sidewalk, raging, radiant and waiting.
Street Crazy Playing A Flute by Julia Vinograd
Her mind ran over her face like a train wreck. What was left twitched, at off moments. But she played a wooden flute as if her hands belonged to someone who never worried. Thin shoulders huddled around the music, stuck in a pile of clothes that would rather be in a closet. Might've been young if she'd been someone else. A cold grey evening. People hurried off the street before it didn't rain, nobody stopped to watch her play. She blew elbow-shaped notes and chords stamping like boots for warmth, almost a crowd but no faces, she always had trouble with faces. Inside, people made dinners. Hospital food had been beef stew without the beef and frightened jello. Her flute craved candied roses and catastrophes. She'd passed a restaurant once. Thru the window she'd seen lobsters piled on a tray and bright small sharp instruments either for cracking shells or brain surgery . Her flute poured out soft warm buttersauce into the cold evening till if you were a lobster you'd love to be eaten. She'd been 51/50'd briefly. She hadn't noticed enough to be annoyed except they defined her flute as a hard object and took it away. Now she had it back. What would've been a smile for someone else crawled onto her face. Her flute played Mount Rushmore for a closing flourish, not president's faces (she always had trouble with faces) but a mountain-sized hot fudge sundae with a cherry. Then she put down the flute. When the silence came looking for her she ran away.
For the Death of a Friend by Julia Vinograd
Ben Jr, captain. Dead. Blown up in Iraq. That's all I know. Your father wants a poem. I know him as Ben, not Ben senior. Your being dead hurts more than the war, how can he think about politics? He's thinking about the last time he saw you and what you both said and didn't say and should've said and all gone now, all gone. Or when you decided you were too old for a baby name he gave you or an argument about a friend or a girl or how homecooking was just for kids. But you always knew your Dad would be there for you no matter what you both said. You died alone. You died alone. He blames himself. He loves you. You'd be indignant, you were your own man not just someone's son. But I'm writing this poem for someone's son, and yes, you loved him no matter what you both said.
VALENTINE'S DAY by Julia Vinograd
It's Valentine's day. Do our fighter jets drop lace-trimmed red plush hearts instead of bombs? A litter of love over targets on a map? Hearts that say "darling" and "forever" in a gold-scrolled language the people they fall on can't read. It's Valentine's day. Do machineguns start shooting the very best dark chocolate creams instead of bullets, smearing brown faces black and bringing back memories of poison gas? Anything they haven't seen before must be trying to kill them. It's Valentine's day. Do we send diamond engagement rings in white, silk-lined boxes to everyone who lost a loved one in the killer wave? Tell them all their memories are caught inside and they'll try to eat diamonds, what else do they have to eat? It's Valentine's day. Do the homeless scrawl shaky hearts on their cardboard signs in hopes of kisses tossed in their plastic cups? It's Valentine's day. On every battlefield in the world does spilled blood turn to long-stemmed American Beauty Roses, the petals brushing faces of the wounded so gently? Grown men no longer strong enough to crush a rose in their fists. It's Valentine's day. It changes nothing.
Street Teenagers Blocking the Sidewalk by Julia Vinograd
One of them draws a chalk dragon on the sidewalk with his blue green purple fingers. His leather jacket's creaky as rusted armor and the colors wound his knees. People walk to their jobs avoiding the dragon's teeth. His girl has blonde dreadlocks and her pet white rat climbs in and out of her yellow silk sleeve. Every time its pink eyes peer out she leans down and whispers "boo" and the rat scuttles back in and winds up clinging for dear life to the side of her soft neck. Her smile floats like a wished-on dandelion seed, the next wind can blow it away. Two grinning crouched guys drum on a garbage can, their dirty ankles are slim as statues, while a third guy kisses a wine bottle and sometimes his mouth-harp. He doesn't look at a bluejeaned redhead who is dancing her heavy breasts at everone else. When they get enough spare change they'll make a dollar sign out of pennies. They sit on the sidewalk, a plastic bag of day-old pastries pushed from hip to warm hip. They're blocking the sidewalk, they're making building blocks of light and air and then breathing on them. All fall down. A passing little boy reaches pudgy fingers for the rat's curling tail and his mother drags him fiercely away, scolding in a voice like breaking teacups. The chalk dragon drinks spilt tea. The wine bottle's empty.
Lynda Carson may be reached at tenantsrule [at] yahoo.com
>>>>>>>
>>>>>>>
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I'm a Santa Cruz local and Free Radio Santa Cruz broadcaster.
Julia has regularly read her poetry on my show.
I appreciated much of her work and bought it from her regularly.
I've made a list of the books that I know she had published. I think I'm missing one from 2003. If anyone has additional info, please post.
Some dozen or more of her readings and interviews can be found at http://www.huffsantacruz.org/brb-descriptions.html (search for Vinograd).
THE LIST
Revolution and Other poems (Oyez 1970)
The Berkeley Bead Game (Cody's Books 1970)
Uniform Opinions (Cody's1972)
Street Spices (Thorp Springs 1973)
The Circus (Thorp Springs 1974)
Street Feet (Thorp Springs 1974)
Street Pieces (Thorp Springs 1975)
Time and Trouble (Thorp Springs, May 1976) Berkeley Street Cannibals Street Selected Poems 1969-1976 (Oyez, Summer 1976)
As If the Street Could Die (Thorp Springs, Sept. 1977)(
Leftovers (Thorp Springs, May 1978)
Street People's Park (Aldebaran 1979)
Street Tenses (Aldebaran March 1980)
Street Spiels (Earthsign 1980)
Clown Jewels (? 1981)
Concrete Meat (Arc Dec 1981)
Street Signs (Arc Dec 1982)
Cannibal Consciousness Street Selections 1976-1983 (Cal-Syl 1983)
Street Skins (Arc 1983)
Street Sense (J/S 1984)
Neon Bones (J/S 1984)
The Book of Jerusalem (Bench 1984)
Street Mystery (J/S 1985)
Street Blues (J/S May 1985)
Cannibal Crumbs: Street Selections 1982-1986 (Cal-Syl 1986)
Darkness (GRT Book Printing 1986)
Holding Up the Wall (Cal-Syl 1987)
Street Scenes (Cal-Syl 1987)
Horn of Empty ((Zeitgeist 1988)
Graffiti (Zeitgeist 1988)
The Underclassified (Zeitgeist 1989)
Street Samurai (Zeitgeist 1989)
Suspicious Characters (Zeitgeist 1990)
The Blind Man's Peep Show (Zeitgeist 1990)
Eye Contact is a Confession (Zeitgeist 1991)
Blues for the Berkeley Inn (Zeitgeist 1991)
Against the Wall (Zeitgeist 1992)
Lonely Machines (Zeitgeist 1992)
Paper Television (Zeitgeist 1993)
Styrofoam Ghosts (Zeitgeist 1993)
Blood Red Blues (Zeitgeist 1994)
False Teeth Talking (Zeitgeist 1994)
A Door with Wings (Zeitgeist 1995)
The Eyes Have It (Zeitgeist 1995)
Cannibal Carnival 1986-1996 (Zeitgeist 1996)
Speed of Dark (Zeitgeist 1996)
Dead People Laughing (Zeitgeist 1997)
The Cutting Edge (Zeitgeist 1998)
Ask a Mask (Zeitgeist 1999)
Blues for All of Us (Zeitgeist 2000)
Beside Myself (Zeitgeist 2001)
Step Into My Parlor (Zeitgeist 2002)
[missing title perhaps]
Skull & Crosswords (Zeitgeist 2004)
Face to Face (Zeitgeist 2005)
Cannibal Casserole New and Selections Poems 1996-2006 (Zeitgeist 2006)
When God Gets Drunk (Zeitgeist 2007)
America Is Hiding Under My Bed (Zeitgeist 2008)
Panic (Zeitgeist 2009)
When Even the Sky Hurts (Zeitgeist 2010)
Falling Sky (Zeitgeist 2011)
Buttering the Wind (Zeitgeist 2012)
Night (Zeitgeist 2013)
Cannibal Cafe Open All Night New and Selected Poems 2006-2014 (Zeitgeist 2014)
Handle with Care (Zeitgeist 2015)
Look Out (Zeitgeist 2016)
Detours (Zeitgest 2017)
A long soft blues note for Julia...
Julia has regularly read her poetry on my show.
I appreciated much of her work and bought it from her regularly.
I've made a list of the books that I know she had published. I think I'm missing one from 2003. If anyone has additional info, please post.
Some dozen or more of her readings and interviews can be found at http://www.huffsantacruz.org/brb-descriptions.html (search for Vinograd).
THE LIST
Revolution and Other poems (Oyez 1970)
The Berkeley Bead Game (Cody's Books 1970)
Uniform Opinions (Cody's1972)
Street Spices (Thorp Springs 1973)
The Circus (Thorp Springs 1974)
Street Feet (Thorp Springs 1974)
Street Pieces (Thorp Springs 1975)
Time and Trouble (Thorp Springs, May 1976) Berkeley Street Cannibals Street Selected Poems 1969-1976 (Oyez, Summer 1976)
As If the Street Could Die (Thorp Springs, Sept. 1977)(
Leftovers (Thorp Springs, May 1978)
Street People's Park (Aldebaran 1979)
Street Tenses (Aldebaran March 1980)
Street Spiels (Earthsign 1980)
Clown Jewels (? 1981)
Concrete Meat (Arc Dec 1981)
Street Signs (Arc Dec 1982)
Cannibal Consciousness Street Selections 1976-1983 (Cal-Syl 1983)
Street Skins (Arc 1983)
Street Sense (J/S 1984)
Neon Bones (J/S 1984)
The Book of Jerusalem (Bench 1984)
Street Mystery (J/S 1985)
Street Blues (J/S May 1985)
Cannibal Crumbs: Street Selections 1982-1986 (Cal-Syl 1986)
Darkness (GRT Book Printing 1986)
Holding Up the Wall (Cal-Syl 1987)
Street Scenes (Cal-Syl 1987)
Horn of Empty ((Zeitgeist 1988)
Graffiti (Zeitgeist 1988)
The Underclassified (Zeitgeist 1989)
Street Samurai (Zeitgeist 1989)
Suspicious Characters (Zeitgeist 1990)
The Blind Man's Peep Show (Zeitgeist 1990)
Eye Contact is a Confession (Zeitgeist 1991)
Blues for the Berkeley Inn (Zeitgeist 1991)
Against the Wall (Zeitgeist 1992)
Lonely Machines (Zeitgeist 1992)
Paper Television (Zeitgeist 1993)
Styrofoam Ghosts (Zeitgeist 1993)
Blood Red Blues (Zeitgeist 1994)
False Teeth Talking (Zeitgeist 1994)
A Door with Wings (Zeitgeist 1995)
The Eyes Have It (Zeitgeist 1995)
Cannibal Carnival 1986-1996 (Zeitgeist 1996)
Speed of Dark (Zeitgeist 1996)
Dead People Laughing (Zeitgeist 1997)
The Cutting Edge (Zeitgeist 1998)
Ask a Mask (Zeitgeist 1999)
Blues for All of Us (Zeitgeist 2000)
Beside Myself (Zeitgeist 2001)
Step Into My Parlor (Zeitgeist 2002)
[missing title perhaps]
Skull & Crosswords (Zeitgeist 2004)
Face to Face (Zeitgeist 2005)
Cannibal Casserole New and Selections Poems 1996-2006 (Zeitgeist 2006)
When God Gets Drunk (Zeitgeist 2007)
America Is Hiding Under My Bed (Zeitgeist 2008)
Panic (Zeitgeist 2009)
When Even the Sky Hurts (Zeitgeist 2010)
Falling Sky (Zeitgeist 2011)
Buttering the Wind (Zeitgeist 2012)
Night (Zeitgeist 2013)
Cannibal Cafe Open All Night New and Selected Poems 2006-2014 (Zeitgeist 2014)
Handle with Care (Zeitgeist 2015)
Look Out (Zeitgeist 2016)
Detours (Zeitgest 2017)
A long soft blues note for Julia...
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